Butterflies are one of the easiest and most rewarding subjects to shoot for a wildlife photographer, especially if you visit one of the many butterfly hot houses around the world. They are usually slow moving, stop frequently to rest and are usually unfazed by a photographer getting in close with a camera. They are also incredibly varied and colourful, often resulting in strikingly vibrant images. Butterflies are one of my favourite things to photograph, and over the years I’ve picked up a handful of useful rules of thumb on how to get the best results.
Monthly Archive: March 2015
Getting photos from a Lightroom catalog to an iPhone has always been like treading through treacle. Until Lightroom Mobile there was no practical way of doing it without creating an intermediate copy of the photos in iPhoto or the file system, which then has to be kept up to date. If you have photos that appear in multiple albums the situation is even more of a maintenance nightmare.
My requirements are simple enough; I use Lightroom on the desktop to organise and post-process my photos, and I want the results of that work to appear on my phone for viewing and sharing. I’m sick and tired of having to work so hard to achieve this simple objective, so I decided to sign up for Adobe’s Creative Cloud Photography plan which offers the promise of automatic catalog synchronisation to a mobile device. I wish I hadn’t bothered. Against all odds Adobe has managed to make the mobile sync experience even worse with Lightroom Mobile than using iPhoto as a sync hub.
I want to be able to take photos like the spectacular example above by Thomas Shahan. Well, not exactly like it; as photogenic as those little critters are, spiders and I don’t mix, especially when jumping is involved, but I’ve always been impressed by extreme close-up macro photography, so when I read about the Yasuhara Nanoha Lens 4x-5x Super Macro Lens I decided to take a punt and buy one, even though I already had the 1:1 Olympus 60mm f/2.8 macro lens. There’s something so compelling about the idea of getting really, really close. I expected working with this lens to be difficult, but it turned out to be way harder than I had imagined. So hard in fact, that I’m giving up. Read the full article »